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With so many games releasing nowadays, I think it's easy for the good ones to get lost in the shuffle. I'm going to list 20 highly anticipated Indie/AA games. I'm sure there's many great ones I'll probably miss (like I said, there's so many it's hard to keep track sometimes), so please let me know what other ones I should look out for. I’m going to order them by release date. If the game does not have a tangible release date, I’ll place it in the list based on what I think is more likely to come out first, based on marketing material and release date delays. 1. Cyber Shadow
Description: This game looks like a cyberpunk Ninja Gaiden. It's very fast paced and has some huge enemies to fight. The player character looks to have a very versatile moveset which looks to complement both the platforming and the combat. This is apparently the work of one guy, making it all that much more impressive.
Description: TOHU has you exploring a variety of fish planets, solving puzzles and unraveling mysteries behind the protagonist’s mechanical alter-ego, Cubus. The musical score is composed by Christopher Larking, the same guy behind Hollow Knight’s soundtrack.
Description: Little Nightmares was a big indie success back in 2017, and the sequel looks to lean heavier into its horror elements. The game will feature two characters this time around - Six and Mono - as they brave the horrors in this larger than life world to discover the dark secrets of The Signal Tower.
Description: Crazy Taxi hasn’t had a new console/PC entry since 2002 (however there were two for handhelds in the mid to late 2000s and two for mobile phones in the 2010s). Taxi Chaos mirrors the formula of picking up customers and dropping them off in a race against the clock. Sega, the developer behind 1999’s original Crazy Taxi, gave developer Team6 Studios their blessing and are actually set to publish the game in Japan and other Asian regions.
Description: This is a vertical SHMUP with four different characters, online leaderboards, and large enemy encounters. Characters will have their own unique ships, weapons, bombs, and story endings. A demo for the game was introduced back in September, and the developer has rolled out steady updates detailing the development of the game.
Description: It Takes Two follows a clashing couple who have been turned into dolls. This is the second game to come from Hazelight Studios, creators of A Way Out. Like that game, this one is built around the co-op experience and is both online and local co-op. If you play online, only the host needs to own a copy of the game.
Description: This comes from the creator of Sonic the Hedgehog and Nights into Dreams. It's a 3D platformer with a dreamlike carnival theme. You'll wear a number of different costumes (80+ according to the game description) that grant different abilities. The game also has a Chao Garden-like feature for Sonic Adventure fans. The adorable little creatures in this game are called “Tims.”
Description: Garlic tells a less than romantic tale of an onion boy climbing the Sacred Tower to seduce the Cyber Goddess. This is a “1 bit platformer” with a monochrome aesthetic and an emphasis on one screen levels with lots of wall jumping and strange but catchy tunes to accompany the action.
Description: The original King’s Bounty released all the way back in 1990, which also spawned a board game in 1991. It wouldn’t receive a follow-up until 2008 when King’s Bounty: The Legend released. Four expansions would be released between 2009 and 2014. Progress and features of the game are continually updated on the Steam page of the game.
Description: This game has been in development for 10 years now and is clearly inspired by Banjo Kazooie. The game follows a tag team duo – a rabbit and a monkey – through 11 different worlds in a collectathon-style platformer. The two characters like act as one unit to perform certain moves, just as it was in Banjo Kazooie.
Description: After being evicted from his home, Turnip Boy sets out on a quest to topple a corrupt vegetable government. You’ll explore dungeons, solve puzzles, fight enemies and bosses, and find treasure along the way.
Multiplayer: 8 Player Competitive Local & Online Multiplayer
Description: The original Knight Squad first released in 2014. It was an arena fighter that took heavy inspiration from Bomberman, with eight player battles and a ton of different game modes. Knight Squad 2 will introduce even more game modes, better graphics, and more customization options.
Description: Hell Pie reminds me of Conker’s Bad Fur Day with its cutesy aesthetic contrasted with adult humor and lewd scenes. Hell Pie follows a demon named Nate through both open and linear levels, tethered to a plump angel called Nugget, who can be used as a weapon, a grappling hook, and a guide.
Description: Iron Meat is a retro inspired grindhouse game made by one guy, Ivan Suvorov. There is a demo on Steam with two of the levels currently, with eight total announced for the full release, and three difficulty settings to choose between.
Description: The game looks as bleak as the title suggests, with gorgeous pixel art and great enemy design. Big, epic bosses seem to have prominent presence here judging from the trailer, and combat animations look slick and smooth.
Description: 30XX is the sequel to 2014’s 20XX. This is a Mega Man X inspired roguelike with both local and online co-op. There were eight characters with different abilities to play as in 20XX, and it looks like a similar approach is kept for the sequel. Despite taking place 1000 years after the original, Ace and Nina at least, are still present in 30XX.
Description: Inspired by the works of H.R. Giger and Zdzisław Beksiński, Scorn is an atmospheric blend of horror and a first person shooter. You play as a skinless humanoid in a nightmarish world. The studio behind the game, Ebb Software, was founded in 2013 and first showed the game off in 2014. The game was announced for a 2021 release date in Microsoft’s Xbox Series X showcase in 2020 and will be coming to PC as well.
Multiplayer: 4 Player Competitive Local & Online Multiplayer
Description: Windjammers is a fast paced blend between pong and frisbee that originally came out in 1994. An updated version of the game was released for Steam and modern consoles with online play, and Windjammers 2 will be a new sequel 27 years after the original release. Players can choose between a multitude of characters with different stats, with a few mini games to boot.
Description: 2017’s Hollow Knight is one of the biggest indie games of all time, in both its popularity and scale of the game. Silksong was originally just meant to be a DLC for the original game, but the project expanded into a full-scale sequel. The original is probably the single most popular indie Metroidvania out there, so there’s a lot of hype for the sequel.
Description: This has been a very long time coming, but with all the gameplay footage and marketing material coming out for the game, it seems Psychonauts 2 will finally release in 2021. The first game released in 2005 – three PlayStations ago – and was a cult classic. The director of the first game, Tim Schafer (Grim Fandango, Brutal Legend, Broken Age, etc.) is also directing the sequel, so there is a lot of hope from the fanbase.
Description: Coromon dons a similar pixel art aesthetic that defined the fourth and fifth generation Pokemon games. When a Coromon gains experience points, you will be able to distribute the stat points as you see fit. Trainers are customizable, and there are also multiple save slots. There is a demo available on Steam.
Description: This comes from the same developer as Hyper Light Drifter. Solar Ash Kingdom has a lot of the same stylized aesthetics as Hyper Light Drifter, but this is a fully 3D over the shoulder adventure. You’ll engage with massive enemies, traverse the world at high speeds, and meet many characters throughout the adventure.
Description: No Place for Bravery boasts a low fantasy setting with Sekiro-esque combat and stories based on real life. The game follows Thorn, who – with his disabled foster son, Phid – seeks to find answers to his daughter’s disappearance from long ago. There is a demo available on Steam.
Description: Bushiden has you taking control of a cybernectic ninja in a futuristic world, on a quest to find his sister who has vanished. There are a number of unlockable traversal and combat abilities, as well as purchasable upgrades.
Description: This is an adventure following a young engineer on an island in the flying city of Gideon. The game boasts exploration, a heavy story, and the ability to build and repair “incredible flying machines.”
Description: This is a steampunk side scroller with narrative choices and a fast paced combat system. There are side quests, skills to level up, and secrets to uncover. Originally planned for 2020, the developers regularly post tweets on Twitter to keep fans updated with the project.
Description: Set in a cyberfunk universe (real word is getting the post removed by the automoderator), Jack Move follows a hacker who seeks to rescue her father from the evil mega corporation, Monomind. The combat system will allow for a number of customizable options both in and out of combat.
Description: Heavenly Bodies follows two cosmonauts in the 1970s who must work together through a series of physics-based challenges. While the game is built around the co-op experience, the game can still be played in single player. While this is only local co-op at the moment, the Steam page seems to suggest that the developer is looking into options for online play.
Description: This is technically a DLC, but given the wait for it, I think it’s fair to expect a fairly sizeable one. This DLC will introduce a new playable character, Ms. Chalice, who will have a double jump and possibly other differentiating moves. This DLC was originally supposed to release in 2019, but it’s been delayed a number of times. For reference, the original game released in 2017 and took seven years to make (though the two brothers responsible for the game had day jobs and a much smaller team up until 2014).
Description: This comes from Kayin, the creator of I Wanna Be the Guy. This is an NES Castlevania inspired game with three playable characters that have unique paths and differing abilities. The game will also feature cutscenes and over a dozen different levels. The game has been in development for years now and is near completion.
Description:Hazelnut Bastille actually has a 2-3 hour demo with a full dungeon included, which I didn't know about until just now as I was making this list! Heavily inspired by top down Zelda games, these games have some really beautiful looking art. Development for Hazelnut Bastille began back in April 2016. Dawnthorn, a prequel to Hazelnut Bastille, will also be releasing around the same time in 2021. Dawnthorn will emulate the look of an NES game, while Hazelnut Bastille will look more like an SNES game.
Description: The original Freedom Planet was initially conceived as a Sonic fangame before the the creator, Stephen DiDuro, reconceptualized it as his own IP. The sequel was announced back in 2015, a year after the original’s release, and will introduce new mechanics and make changes based on feedback from the first game.
Description: This game comes from the creators of Crawl and Regular Human Basketball, two highly acclaimed competitive local multiplayer games. Unlike their previous work, this looks to be a campaign/adventure game, but it also has a demonic narrator just like Crawl. They're also making The Drifter right now.
Description: From the creators of Lenna's Inception, Bytten Studio, which released on Steam in January of this year – a randomly generated Zelda inspired local co-op action adventure game with two art styles to switch between. The two guys behind the game have also worked on Starbound, Stardew Valley, and Wargroove, so they have quite a pedigree of games. Cassette Beasts in heavily inspired by Pokemon and includes 120 beasts that can be combined for a total of 14,400 fusions.
Description: Developer Dead Mage has won me over with both Shadow Blade: Reload and Children of Morta. Their new game, Tale of Ronin, focuses on the “human side of the Samurai,” and will feature a dynamic world to explore and allow for you to make story-based choices that impact the storyline.
Multiplayer: 6 Player Local & Online Competitive Multiplayer
Description: This is the spiritual successor to Stikbold. It’s a dodgeball game with wacky antics and multiple game modes. Players can do free for all or team based matches, and if it’s anything like Stikbold, it will also have a two player local co-op campaign with a few boss fights.
Description: Spark 3 will be the second 3D platformer in the Spark series. It’s no mystery where Spark takes its inspiration, but it does it well and mixes action sequences into the mix while removing a lot of the bloat found in most 3D Sonic games. Spark 2 is well regarded by the Sonic community, and the third game looks to up the ante with even more mechanics, like wall running.
Multiplayer: 2 Player Local Co-op/4 Player Competitive Local Multiplayer
Description: Samurai Gunn 2 is the sequel to the 2013 PC exclusive. The game is designed by Beau Blyth, the co-creator behind Hyper Light Drifter. The game plays similarly to TowerFall, in that you platform around a fixed screen and try to shoot the other players. The sequel will launch exclusively on Switch first, with a release for other platforms in the future. The story mode will allow for up to two players in local co-op, while the competitive mode will allow up to four.
Description: This comes from the creators of Wargroove. Witchbrook will allow you to experience high school as a wizard. A website for the game was launched back in September, so it seems progress on the game is coming along. The website seems to suggest you’ll be able to develop relationships based on your choices in the game.
Description: This comes from the same developer as The Vanishing of Ethan Carter, The Astronauts, but instead of just walking, you'll be walking and shooting demonic creatures. If this game reminds you of Painkiller from 2004, it's because director Adrian Chmielarz actually worked on that game. The game has been worked on for five years now by a team of nine full members and three contributors, so hopefully we'll see it soon.
What are some other upcoming indie/AA games you’re looking forward to? If you’re looking for more indie games to play, see my post here:
i'm starting to feel like modern Yugioh is a clown car, and every time the banlist apprehends the first few clowns that lead the format, 4-5 more step out to take their place. we didn't even have Linkross in handcuffs yet before VFD took the wheel and Vanity's Ruler got into the passenger seat. happy new year
This post will give recommendations for decks that can generally do well while generally remaining in the $50 to $150 price range.
Estimated pricing includes a sample completed main deck and some or all of an extra deck, but no side.
Pricing is based mainly on singles and you can easily save a lot of money by buying cores for most of these lists all at once.
Decks were chosen usually based on having some degree of success in recent TCG formats.
These deck choices and rankings are heavily based on online tournaments such as Konami's Remote Duel Invitationals, LCS, and other assorted online events.
Performance on DuelingBook's ranked ladder also slightly factors in to the placement of these decks, with data taken from Ygoscope.
Many decklists will include some middle-range power cards that might drive the price point up, which can be cut for players on an extreme budget. For instance, a set of Ash is $25-30 currently, but Ash is included in many of these lists as a generic staple that players might already own.
Conversely, decklists are oftentimes easily upgraded by adding power cards such as Forbidden Droplet and Triple Tactics Talent.
Decks are grouped into four "tiers" and listed alphabetically by tier. Decklists are built prioritizing simplicity and effectiveness on a budget. Not all of them are perfect, but this post is not an F. Unless there is a particularly offensive deckbuilding error that you want to point out, please don't use this thread to nitpick at the sample decklists. Don't feel obligated to stick to the sample lists either; you should experiment and play cards that feel comfortable and/or optimal to you. Feel free to leave suggestions for budget players, whether it's a budget tech choice for one of the decks on this list or whether it's a different deck that you think can compete in the coming months. [Last updated: 23 Jan 2021] Previous version: October 2020 Post
S Tier
The best bang for your buck. Decks in this category have the capacity to top premier events, though they're almost always supplemented with expensive power cards.
New Ritual-based combo deck from Genesis Impact that has a lot of recursion from the Graveyard, boasting a strong grind game as well as potent turn 1 boards that can win the game outright.
The level 1 Drytron cards tribute other Drytron cards or Ritual cards in hand/field, so this deck abuses Cyber Angel Benten's lack of a once per turn clause to gain a ton of resources and search a lot of power LIGHT Fairy cards, such as Herald of Orange Light and Vanity's Ruler.
Drytron Nova is an automatic 3-of inclusion in every competitive version of this deck, but also currently sits at around $40 each in NA. Novas are a massive boost in consistency, though the deck is honestly still playable without it, and is quite cheap otherwise. With even one copy of Nova, you should look to also include three copies of Drytron Fafnir (their Field Spell) which can search Nova as well.
The absence of Nova + Fafnir from the main leaves a lot of space to be filled. There are many ways you can go about this.
The sample list plays a small Pre-Prep engine with Herald of Perfection. It's very simple to play, especially if you're unfamiliar with the deck, and helps raise your overall ceiling - athough optimized competitive builds have generally moved away from Pre-Prep.
Another viable Ritual engine is the Megalith engine, which provides numerous options. These variants generally also suffer from consistency issues, made worse by the lack of Novas in the budget version. Less consistent access to Alpha means less consistent usage of extra Ritual monsters.
You could play cards that search Drytron monsters in an attempt to patch up consistency. Examples include Where Arf Thou, or normal summons that fetch Drytrons such as Cyber Dragon Core (getting Emergency) and Mathematician. Also viable is Neo-Spacian Aqua Dolphin, which is an interesting tech in Drytron that helps you beat handtraps like Droll & Lock Bird.
Finally, you can always just play more handtraps or generic power cards.
This deck is a relatively new deck, and is getting support in Lightning Overdrive, which might indicate that it's relatively safe from the next banlist. However, there's no telling what Konami will do, so don't take my word as gospel.
Combo deck with an extra deck toolbox, using Synchro and Xyz monsters to break boards or to win the game with True King of All Calamities and their recurring boss monster, Shenshen. The Virtual World monsters have a shared restriction which means that Link monsters are usually not played in this deck at all.
Most of the main deck VW monsters can dump other VW cards from Deck to GY, and their continuous spell Qinglong is a searcher in the GY. Combined with Virtual World Mai-Hime - Lulu's ability to search for VW cards as well, the deck is consistent at doing the same combos and executing its gameplan almost every game, as most combinations of 2 Virtual World cards result in some type of combo.
Despite being one of the top decks in the format, this deck is also quite cheap. Staples aside, the most pricey card in the main is Lulu at around $18-20 each. Can you get away with fewer copies of her? Probably, but you really want to get 3 due to Desires, and her being one of the best cards in your deck.
Saw success immediately after PHRA release, even in the previous combo-infested format where Virtual World took the most representation and top cut spots at LCS 8, eventually winning the entire tournament. Post-banlist, they also took the most top cut spots and then won LCS 9, versus an entirely different playing field full of Zoodiac, Drytron, and Eldlich variants.
Recent combos using Chaofeng, Phantom of the Yang Zing to search either one of the Virtual World tuners (Lulu or Laolao) have opened up some new combo routes that make Foolish Burial Goods a lot more forgiving to play, allowing you to still end on impressive boards despite using Qinglong somewhat suboptimally. On the other hand, Chaofeng's price also spiked quite heavily after LCS 9, so you may not want to play it.
Non-budget players will first and foremost want to add Zeus to the Extra Deck, as it helps greatly with going second and also dealing with threats like Dragoon. Another common inclusion is Triple Tactics Talents, though this card is by no means mandatory in the deck, and has also seen a decline in popularity lately.
A Tier
Strong decks, but limited either by a lack of access to powerful staples or by the natural ceiling of the deck. You could still top a regional with one of these decks on a good day.
Control + backrow deck with incredible recursion and the ability to come back from almost no resources
Altergeist have seen sparse success ever since FLOD, and are a respectable budget contender. They've have had a fairly modest showing online, and saw recent success with a top 8 finish at LCS 9. That deck was a Dogmatika variant piloted by Lars Junginger, playing the recently released Artemis, the Magistus Moon Maiden to make it slightly easier to summon Ecclesia in some hands.
The Dogmatika engine is viable even on a modest budget. It's possible to simply play Dogmatika Punishment as a powerful trap capable of utilizing your extra deck, and even a single copy of Ecclesia (around $20 each right now) goes a long way for improving the power of this package. Of course, the deck is also perfectly playable as pure Altergeist.
Budget players are most hurt by a lack of Pot of Extravagance, Infinite Impermanence, and Evenly Matched. The first three of these cards have reprints, but none are quite cheap enough yet to be easily accessible on a budget.
The extra deck is extremely flexible (as Altergeist are typically played with Extravagance, anyway) and several options are simply tech cards, such as Elder Entity N'tss.
Main deck trap choices are also extremely flexible. Torrential is quite powerful against Virtual World, but this could easily be swapped out for many other cards depending on your budget, available card pool, and locals demographics.
The release of Blazing Vortex in early February also brings along an incredibly powerful staple card in Pot of Prosperity. Altergeist, along with virtually every other deck that enjoys running Pot of Extravagance currently, will appreciate Prosperity as well. Many OCG decks are choosing to play both Extrav + Prosperity in their decklists. Of course, Prosperity is also a Secret Rare, and is virtually guaranteed to be around $100, so this is not applicable on a budget.
Floaty combo/control deck with 4 maindeck Prank-Kids that all float into any other Prank-Kid when used for a Link or Fusion summon
Got a great boost in Phantom Rage with Prank-Kids Meow-Meow-Mu, a Link 1 Prank-Kid monster that makes this deck incredibly consistent and turns any single Prank monster into full combo.
Prank-Kids Place is a little pricey, currently sitting at around $17 per copy in NA. While it contributes to your overall consistency (as it's equivalent to any Prank name), you can definitely get away with cutting copies of Place if your budget is tight.
Notably took 1st place at the Canadian Remote Duel Invitational in mid-January, piloted by Hanko Chow.
This deck appreciates the inclusion of Predaplant Verte Anaconda (currently over $30 apiece in NA) which can dump Thunder Dragon Fusion to help field Battle Butler, your main win condition. It was dropped from the provided list for budget reasons, but it's a great inclusion if you have a copy already. In conjunction with cards like Link Spider, it also improves your ability to play through disruption and through Nibiru.
This deck has many characteristics of a great deck, but suffers from similar problems as Zoodiac in that it struggles to play through disruption on your normal summon, or cards like Ash negating your first Prank-Kid effect. The inclusion of Polymerization in the main deck helps to combat this, but also popular are builds that don't play Poly at all and instead just load the main deck with handtraps and powerful staples like Forbidden Droplet.
Pot of Desires is included in this example main deck to help boost consistency and overall power, but some players opt not to run it.
Link-based midrange deck with a lot of recursion and a special in-archetype technique, where 1 Link Monster is used as the entire Link material to summon another copy of that monster, granting bonus effects
The deck is somewhat halfway between control and combo, establishing respectable boards turn 1 with a fairly compact engine, allowing many handtraps to be played. Their real strength comes in turn 3 and beyond, where their arsenal of free summons from the GY, coupled with their stellar resource recycling, easily overwhelm the opponent.
The majority of the deck is dirt cheap and is mostly able to be built with commons from SOFU+SAST supplementing 3 copies of Structure Deck: Soulburner.
Accesscode Talker is a huge part of this deck's success, able to steal games easily with the help of Update Jammer. Accesscode is not at all affordable on a budget, so the sample list plays Zeroboros instead. Owning one copy of Accesscode is a tremendous improvement to this deck's strength.
Salamangreat has found little competitive success in bigger online tournaments this format, but still regularly performs well in smaller events, remote duel locals, and the like. It's also a fairly safe choice, as it's somewhat unlikely we see further Salamangreat hits on the next banlist.
The provided list plays Rivalry + Strike, a potent option allowing you to sometimes win games even into established boards. Strike is quite solid in the current format, as even the combo decks don't usually end on ways to punish a lot of set backrow.
Parallel eXceed is an optional card, and can be cut in favor of more backrow or handtraps. On one hand, it allows you to more easily link climb when going second, and can easily add a Dweller or Bagooska to your board going first (Dweller is very good right now, as well). On the other hand, players may prefer to run more defensive cards instead of eXceed.
Subterrors are a control deck with a focus on flipping monsters face-down and generating constant advantage with Subterror Guru.
Pure Guru control is the most played variant, and is more or less a stun deck that tries to abuse Guru as much as possible. While most Guru lists online are Numeron and/or Dragoon hybrids, the pure version saw some success earlier this format at the Benelux Remote Duel Extravaganza, finishing top 4. You can watch that deck profile here, and the sample list is generally based off of that list.
While Dragoon isn't budget-friendly, the Numeron engine is very accessible for little cost, and is a viable variant of this deck as well. Numeron cards aim to make Number S0: Utopic ZEXAL going first or simply OTK going second. S0 is an extremely powerful card that can prevent the opponent from playing the game entirely if it resolves. If you are interested in this version, you can check the Subterror list on the previous budget post.
The sample list doesn't have a complete extra deck, mainly because it doesn't play Extravagance and you barely go into the Extra Deck to begin with. Relinquished Anima is a decent option if you can shell out the $7-8 for it, since sometimes you can turn Fiendess into Anima. Apart from that, provided Extra Deck options include anti-Maximus cards for the Dogmatika matchup, and Aussa + Zoodiac Drident in case you face a Zoodiac player. Taking their Zoo monster and then slapping your Drident on top can be potent.
This deck usually plays Extravagance over Desires, but Desires is quite a serviceable replacement. Similarly to Altergeist, this deck also enjoys Pot of Prosperity post-BLVO.
B Tier
Like the above category, but generally weaker, less consistent, and/or impacted harder by a lack of access to a certain card(s).
Dinosaurs are an aggressive deck with consistent access to Evolzar Laggia/Dolkka and Ultimate Conductor Tyranno, a formidable boss monster with incredible OTK power and disruption.
Dinosaur's strength tends to be largely meta-dependent, particularly how well it can counter the existing top decks. During the previous two combo-infested formats with decks like Dragon Link and Adamancipator running around, Dinos had several extremely impressive showing at events, such as TeamSamuraiX1's win at the first NA Remote Duel Invitational, as well as all three first-place players at LCS 7 (a 3v3 event) playing Dino.
In the current format, Dinosaurs are struggling. The Virtual World matchup is difficult, and it's hard for Dinosaur to build to beat all of VW, Drytron, Eldlich variants, and the plethora of rogue decks running around. Additionally, Mystic Mine is not very potent this format as both Virtual World and Eldlich have in-engine outs to the card, which is another blow to the Dinosaur strategy. Finally, the popularity of handtraps like Skull Meister and Artifact Lancea in the side or even the main deck are also reasons this deck has declined.
The provided variant still plays Mine, as it has utility breaking boards. Deckout is a much less reliable strategy against VW and Eldlich, but you can still stall for some turns until you can make a push for game. The addition of Cosmic Cyclone is also an attempt at neutering cards like Chuche and Conquistador.
If you wanted to build this deck without Mines, you would have to find replacements for quite a few cards (and frankly, Dinosaur does not have very many good ones). Most power staples are not budget, such as Lightning Storm, Talents, Droplet, etc. This deck also really appreciates Pot of Extravagance, which still sits barely out of budget range at around $25 each in NA.
Budget Dino must also deal with the lack of Animadorned Archosaur, an extremely powerful addition to the deck that opens up many new combos. However, sitting at around $60 per copy, the card is inaccessible on a budget.
The provided list plays the Simorgh combo, bringing out the WIND barrier statue on turn 1 to steal games. Though a full extra deck is provided, very few cards are actually needed, as the deck typically plays Extravagance anyway.
Dragon Link is a Link-centric combo deck that was a dominant force in the meta for about half a year, but lost a lot of resilience and power with the recent bans to Linkross and Dragon Buster Destruction Sword.
The provided budget version of this deck actually has a ton of extra deck flexibility due to not needing to play Synchro/Link cards related to the Halq/Kross package, meaning that you can play Knightmares, anti-Dogmatika cards, etc. This also means that the budget version doesn't actually care about the Linkross ban at all.
This deck has seen a great deal of variation online, playing a variety of different engines and tech cards. A few of these include Vylon Cube + Smoke Grenade, the Rose Dragons, several different Dragonmaid cards, and even an FTK variant involving Earthbound Immortal Aslla piscu. However, few of these are viable for budget players, especially if you do not own a copy of Halqifibrax.
An interesting option the deck has is to use Union Carrier to equip handtraps such as Artifact Lancea. On the opponent's turn, Hieratic Seal can be used to return the handtrap to your hand, making it live immediately. This is something you may want to consider in the main deck if you frequently have to deal with decks like Virtual World and Dinosaur. Another option is to equip Ally of Justice Cycle Reader to Carrier (they're both machines) and then bounce it to hand, as a weapon against Drytron. Carrier isn't in the example list, but this is a really interesting option to consider.
With Linkross out of the picture, playing Fibrax alone is an option if you either already own a copy or can afford the $20 needed to obtain one. You may have to retool your combos to incorporate Fiber, but the card can definitely add flexibility and resilience to your deck if you use it well.
Backrow-heavy control deck that summons its Traps to the field as monsters and pressures the opponent with Toadally Awesome
After being absent from the budget post for about a year, Paleo makes its triumphant return as its boss monster, Toad, returns to 3. Toad's reprint in Maximum Gold also brought this card down from $20 each to just a few bucks, making the entire deck extremely cheap.
As a control deck, Paleo suffers from more weaknesses compared to Eldlich, Altergeist, and Subterror. Notably, the engine tends to bleed advantage unless you've managed to maintain access to Swap Frog, and you can be quickly outpaced by stronger decks. However, in games where you can establish a Toad early, or where you can maintain control with your backrow, you can do quite well.
Paleo saw a surprising amount of success in various remote duel events this format, though some of that success is likely due to the format being unexplored and some sort of "new toy syndrome" as Toad recently went from 2 to 3.
Paleo struggles to out Dragoon, especially without access to Ice Dragon's Prison, a $40 card. An interesting option catching on in the meta lately is the use of Mirror Force cards, particularly Quaking and Storming, as they both pressure Dragoon. Still, the card puts quite a lot of pressure on this deck.
Speaking of Dragoon, some Paleo players opt to play that package in this deck as well. Swap Frog is a one card Dragoon as you can simply dump Ronin, turn Swap into Almiraj, and then revive Ronin to make Verte from there.
Fiend Griefing is presented as an interesting option which is very decent in the current meta, particularly vs Drytron. Combining it with Absolute King Back Jack is a classic combo that Paleo played a long time ago in 2017, during early Zoo formats.
Price: $100+, can be closer to $50 with fewer copies of Schism Imgur | DuelingBook
Classic Fusion-based archetype from 2014, debuting in Duelist Alliance. Somewhat of a midrange combo deck that can slow the game down with El Shaddoll Winda or be very aggressive with El Shaddoll Construct
Winda is a troublesome floodgate that many decks struggle to out, especially combo decks such as Drytron. Shaddoll cards are currently played in several Dogmatika variants due to the sheer power of Winda and the utility of Shaddoll Schism.
The current meta is favorable for Shaddoll not only due to Winda being effective vs Drytron, but also due to Ariel being very strong against a large chunk of the format, including Eldlich variants. Her ability to banish 3 cards from the GY is so strong that some decks are splashing in Sinister Shadow Games + Ariel just for that option, which we saw played in some of the 60-card Eldlich decks at LCS 9.
The growing popularity of Shaddoll cards has also caused Shaddoll Schism to go up in price substantially. Currently, it's around $17, but it may continue to rise.
The deck's biggest problem has always been its inability to consistently resolve a fusion spell on turn 1. Invoked Shaddoll was a popular hybrid in earlier formats, but with the release of the Magistus archetype in GEIM, Shaddolls got access to Rilliona and Magistus Invocation. This is an improvement since Magistus Invocation can fuse from hand and field whereas the regular Invocation can only fuse from hand when summoning Shaddolls. Additionally, Artemis provides a super convenient way for the deck to turn any Shaddoll into a LIGHT monster, which is important for summoning Construct.
While the full Dogmatika package is very expensive due to Nadir Servant being a $75 card, one option is to play just one copy of Ecclesia (around $20) along with Maximus and a playset of Dogmatika Punishment. Maximus and Punishment have a ton of synergy in the Shaddoll deck in conjunction with Apkallone's GY effect, and this combination is deadly even on a budget.
Other normal summons such as Mathematician and even Gale Dogra are potent on this deck, and can be played in addition to Rilliona or as a replacement for her. Yet another option is to run 1 copy of the now-cheap Eldlich the Golden Lord as a LIGHT monster for Shaddoll Fusion that can easily revive itself.
Another popular variant is a very trap-heavy list, sometimes cutting the Magistus cards entirely. PAK and SirEmanon's YouTube channels both have their own takes on this, if you're interested.
Floaty destruction-based archetype that generates advantage when its cards are destroyed, enabling its gimmick of using your opponent's monsters to Link Summon.
Can be built to go first or to go second quite effectively. Since going second is very difficult this format, the provided list aims to go first, playing a bunch of trap cards.
Fairly modest online performance, doing alright at smaller events and more recently finishing top 8 at the second YuGiJoe online series as well as occasional Luxury events. After the December banlist, Unchained has rapidly gained popularity in online remote duel events, and is one of the more prominent rogue decks this format. This success could be because the format is generally slower compared to previous ones, and many destruction-based cards such as Torrential Tribute are very popular currently, which this deck enjoys.
Mega-Tin reprints of Abomination's Prison as well as their Link 2 have helped make this deck a great deal more affordable. I:P Masquerena being more affordable is also a nice boost, though it's by no means essential in this deck.
This deck's best weapon is its opponents being unprepared for it. Playing improperly into backrow or Unchained floats can very quickly be fatal. It also matches up decently into some backrow decks as well as Dogmatika variants, which rely on destruction-based removal from Dogmatika Punishment and Elder Entity N'tss.
C Tier
Decks in this category have the capability to be just as good as the ones above at times, but often tend to suffer from multiple problems including consistency and power.
Versatile control-based Graveyard toolbox deck that has been swinging in and out of meta relevance since its release way back in 2014.
Gradually got more and more cards back from the banlist, with Cir and Graff being unlimited on the December 2020 list. The deck is now more or less "full power" with the exception of Beatrice, who is still limited.
The deck aims to establish Beatrice on turn 1 backed up with trap cards. The BA cards as well as Beatrice are extremely floaty, so this deck can put up quite a fight in grind games. Fiend Griefing is a solid card in the current meta, and is excellent in the Burning Abyss deck as you can send Farfa for further disruption, Graff/Scarm for followup, or Back Jack for more traps.
This deck was frequently mixed with Phantom Knight cards back in 2016 (often called PK Fire). Nowadays, Phantom Knight decks are typically either built pure or with an extremely compact BA engine. While it's possible to play a more dedicated hybrid build, the release of PK Torn Scales combined with most key BA cards being unlimited means that it's just better to focus on one or the other.
Many other options are playable - Desires for draw power, playing more traps, more handtraps, etc. Consider Needle Ceiling over Torrential as it can be harder to pull off, but combos better with Trap Trick. Players with access to Ice Dragon's Prison should play it, and adventurous duelists can even opt to play Fire Lake of the Burning Abyss.
As a deck easily capable of churning out Rank 3 Xyzs, you also have easy access to Divine Arsenal AA-ZEUS Sky Thunder, one of the most powerful extra deck cards in the format. If this is an accessible option, it should be played.
Spell-heavy control deck that usually maintains only one monster on the field at a time, in the extra monster zone.
Formerly an extremely dominant control deck, modern-day Striker no longer accrues infinite resources through resolving Engage multiple times, but instead is easily able to kill you with an Accesscode Talker push after whittling down your LP and resources for a turn or two. The standard combo involves laddering from Halqifibrax -> Selene -> Accesscode and then dismantling your opponent's board before swinging for game.
You may have noticed a problem: if you're on a budget, you can't use Accesscode. This is a pretty big blow to the deck's overall strength. Some players opt for alternatives such as the Utopia Double package, which Zoé Weber played in the second EU Remote Duel Invitational last format. Another option is to simply not run it at all, and close games the old-fashioned way.
In previous formats, this deck was oftentimes played like an anti-meta going second deck, packing tons of removal cards and usually 3 copies of Mystic Mine in the main deck. In the current format, this strategy is a lot more difficult due to several factors - it's very hard to go second this format in general, and Mine is a lot less effective vs the top decks right now.
Instead, the sample list plays a going-first strategy with powerful trap cards like There Can Be Only One and Solemn Strike. It's possible to build this deck to go second, but you'd probably want to play board breakers instead of trap cards, and potentially also maindeck PSY-Framegear Gamma.
Yet another way to play this deck involves (surprise) Red-Eyes Dark Dragoon and multiple copies of Red-Eyes Fusion. Instead of using cards like Widow Anchor and Afterburners to muscle through disruption and stick a Mystic Mine on the field, you use them to get to your Dragoon and either win the game immediately or put yourself in a position where your opponent can't play through the Dragoon disrupt.
Roze is the most expensive card in this list. If your budget is tight, you can definitely cut her down to 1.
Xyz-focused deck with a gimmick allowing you to use any one Zoodiac as the entire Xyz material requirement for another Zoodiac. This lets you stack Zoo Xyz monsters on top of each other, making use of their effects.
Plays a compact engine combined with around 20 slots dedicated to handtraps, traps, and draw power. This deck is also commonly played as a hybrid deck, oftentimes with Eldlich and sometimes with Dogmatika cards. Both of these options are quite expensive, so they are not shown.
The deck's strength in competitive play comes almost entirely from Divine Arsenal AA-ZEUS Sky Thunder, an extremely powerful Xyz monster that Zoodiac can effortlessly make due to Zoodiac Boarbow. Zoo is also easily able to summon Zeus with many materials, allowing it to repeatedly nuke the board.
Budget Zoo without Zeus is extremely weak by comparison. Relying solely on Drident + handtraps is not a reliable win condition, so cards like Parallel eXceed and Pot of Avarice are included in the sample list to give this deck a boost. While Megaclops is a troublesome boss monster in some matchups, the big three decks (Drytron, Virtual World, and Eldlich) generally don't have much trouble dealing with it.
Even with Zeus, the deck has been struggling in the current competitive meta. Noteworthy is its performance at LCS 9, where out of a whopping 51 Zoodiac variants that entered the tournament, only 1 survived until top 16.
Up-And-Coming
Decks to watch out for, oftentimes due to recent online success or new support being announced. Some might also be decks that could potentially be on the main body of the post, but need a little more time to prove themselves.
Link-focused deck that plays a variety of Beast, Beast-Warrior, and Winged Beast monsters. The maindeck Tri-Brigades cheat out powerful Link monsters, provided your GY is set up. This deck also trivially access the Simorgh link, which can sometimes seal games on its own through the WIND Barrier Statue.
In the current format, Tri-Brigade has seen fairly sparse success, usually mixed with Zoodiac. However, BLVO gives us Tri-Brigade Kitt, a great boost to this deck and a fantastic combo piece.
Further support in LIOV and beyond is also very promising, making this deck a potentially solid investment for the future.
The Tri-Brigade core is currently quite cheap, but this could change in the future depending on hype and the market.
Control deck with an extremely powerful Link 1 monster, Traptrix Sera, that pumps out constant advantage.
The sample list incorporates a very small Dogmatika engine. Dogmatika Punishment itself is very cheap, and is one of the best generic traps in the game right now. Just 1 copy of Ecclesia (around $20) provides a substantial power boost to this mini-engine, as dumping one copy of Titaniklad with Punishment and grabbing an Ecclesia for next turn is extremely powerful. Another option is to dump El Shaddoll Apkallone, then adding and discarding Ariel in order to trigger her effect and banish 3 cards, which is insane value.
If you can't get Ecclesia, you could simply play just Punishment as a generic trap. Another option is to play pure Traptrix, incorporating more power traps/handtraps, and quite frequently the Utopia Double package as well.
Pirate archetype with ridiculous recursion and a unique tag-out and equip mechanic based on Attributes being used in the game.
The pirates become equips for one of (currently) three Patrollships, extra deck monsters that can all discard Plunder Patroll cards in hand to fuel powerful effects. The ships become stronger when manned (equipped with) a Plunder card, with bonuses such as ignition effects becoming quick effects, or being able to replace the discarded card with a new one from the deck.
Many Plunder lists play Forbidden Droplet, as it has great synergy with the cards. Without Droplet, you could fill the space with several different options. This deck chooses to play the Undine package, but you can also go for cards like Foolish Burial Goods, Salvage, Silent Angler, Tenyi Spirit - Shthana, Toadally Awesome + Bahamut Shark, or just more generic staples.
This deck is getting at least one more support card in LIOV, that being Ravenwing. Many people speculate that they'll also get another Patrollship of a new attribute, which would be a huge buff to the deck.
Honorable Mentions
Megalith, Madolche, Pendulum decks, Cyber Dragon, Orcust, Mermail Atlantean, Magical Musketeers, Crusadia (Guardragon), ABC, D/D, Generaider, and more - Decks that are fairly decent but have been left off of the post to make room for other decks that have seen more recent success or have fewer budget resources online.
Dragonmaid, Eldlich, Infernoid, Invoked variants, HERO, etc - Decks that are pretty good but are sorta in limbo due to some expensive individual cards, such as Chamber Dragonmaid, Cursed Eldland, Invocation, etc.
Cubics, Phantasm, Chain Burn, Evilswarm, Yosenju, Dinomist, and much, much more - Unfortunately, there is not enough room to cover every single decent, super-cheap deck.
I hope to keep this post updated for the foreseeable future. Feel free to leave any comments or suggestions.
As of today, it has now been 3 full years since I’ve gotten my Switch. So, like the past 2 years, I wanted to post my top 10 games I played throughout the last year with some quick little reviews on why I enjoyed them. To avoid confusion this list is not a list of my top 10 games of 2020, it is a top 10 of the games I have played in the last year. Some of the games this year surprised the hell out of me, and others were extremely welcome due to old memories. Each game here I include my playtime (according to the Switch, anyways) and my completion percentage. Since it was asked a lot in the comments last year, I will be including a link to a Google Docs sheet that includes a link to a duplicate version of my sheet (with some things unimportant to anyone but me removed or edited) that I use to track completion percentages as well as information on how to use the sheet. Currently playing: - Backlog: Assassin’s Creed: The Rebel Collection, BioShock: The Collection, DOOM 64, Hollow Knight, Trials of Mana, Ys Origin Games from this year that didn’t make the top 10: · DOOM II (5+ hours, 100.00%) · DOOM (1993) (5+ hours, 100.00%) · Assassin’s Creed III Remastered (25+ hours, 39.78%) · DOOM 3 (10+ hours, 75.00%) · Darksiders Genesis (15+ hours, 63.60%) · Darksiders II Deathinitive Edition (45+ hours, 85.75%) · Super Mario 3D All-Stars (50+ hours, 84.59%) · Dragon Quest XI S: Echoes of an Elusive Age – Definitive Edition (90+ hours, 92.38%) 10) Atelier Ryza: Ever Darkness & the Secret Hideout (40+ hours, 94.95%) Yea, yea. Look at those thicc thighs! Now that that’s out of the way… I really enjoyed my time with Ryza. The alchemy system is what got me interested in the game, gathering materials to fuse together into more powerful items. As you learn more about the system and get access to better items everything begins to make more sense. You might find yourself just slotting things in at first, but eventually once you gain a better understanding you can figure out exactly what the system is getting you to do. Crafting endgame items with crazy stats and really showing off your skills as an alchemist is extremely fulfilling and from what I can tell the series has really improved on itself from past iterations. The story of Ryza is fairly grounded and tame for the most part, but it does still have some “save the world” aspect towards the end. You play as Ryza who wants to adventure with her friends and learn alchemy and… that’s pretty much the main focus for the first half or more. It was kind of a nice break and really helped it to stand out a bit more in my mind. The main point of the story really is just Ryza wanting to adventure after being stuck on a lonely, plain little island for her whole life. Once she is exposed to alchemy, she makes it her mission to improve her alchemy skills. The combat is an ATB system which was my biggest holdback of the game going in but in reality it was very quick and simple to get into and really didn’t require a lot of work to figure out. The one thing is that if you do not keep up on your alchemy skills you will struggle in battles. Constantly looking for ways to improve your gear is very important and you can easily find yourself running at a wall if you ignore it for long periods of time. It is definitely an interesting game to play and I really recommend looking into it for those of you interested in JRPGs. With the sequel coming out in just a month, and it being the first time in the series’ history (from what I know) that a protagonist has returned for a sequel, it is the perfect time to hop in. 9) Astral Chain (40+ hours, 84.20%) I expected this game to be on par with or worse than Bayonetta 2. Then I actually played it and, well, I loved it significantly more. This game features a rating system very similar to the Bayonetta series, but the system is also significantly more lenient. Instead of judging you on how perfectly you can complete a level (not being hit, time, not using items, etc.) you are judged on how well you use your resources. You get bonuses for using different techniques, weapons, and legions. At first I still got low scores and did overall poorly, however because the rating system was so much more lenient and focused more on how well you are using the combat system it was a really good way to learn what was the best way to go about combat. This led to later files getting better scores and really making the whole game feel even more entertaining. The story is pretty straight forward; you’re a cop who ends up working for a branch of cops that use legions, basically enemies turned into allies, that are attached to a chain and fight against those same enemies. These legions are controlled alongside yourself, which seems a lot more daunting than it really is. While I am by no means a pro at the game, I do think it was fairly easy to get used to controlling multiple characters even with all the action going on. As far as weak points, there was only one major thing that bothered me and it was the same as Dragon Quest XI. I don’t like this game’s use of a silent protagonist. I felt that it robbed a lot of story moments of any impact because your character feels completely disconnected from a plot that they are supposed to be at the center of. Your character even has a voice actor, but they are only used when you are playing as the other gender. It wasn’t something that drastically impacts the game for me, but it still bothered me enough to mention. Overall, the rest of the game is a lot of fun and works really well. The whole thing is like its own anime and it even has an anime-style intro sequence, which by the way the music is top notch. Which is pretty important if you’re going to have an action game that you’ll want music to hype you up.. So if you’d like to play Anime Cops vs Cyber Demons ft. Litterbugs, then this is the game for you. 8) Ori and the Blind Forest: Definitive Edition (10+ hours, 98.58%) It had been a long time since I played a Metroidvania, so this game was a welcome return for me. The movement available to you from the start is fairly limited, but you keep picking up skills over time until eventually it becomes incredibly smooth to dash around the world. The story is mostly told through a couple of momentary scenes, so there aren’t a lot of cutscenes besides the opening. I believe despite how brief the story is, the story of Kuro and the opening act are both amazing moments in not just this game but out of all games I have played. The soundtrack is beautiful and I found myself just hanging around to listen to it a few times. On top of all these elements, it also runs beautifully and never gave me a single problem. I may not have been a professional at the game, I believe I ended my playthrough with just under 500 deaths, but I never became frustrated with it. Besides completing the areas, you don’t have too much to focus on for collectibles. All you really have is life containers, energy containers, and spirit containers. Life and energy containers obviously improve your life and your energy, but spirit containers is used to build up your spirit gauge and act as skill points. These skill points can be used to unlock movement options like dashing and triple jumps as well as power boosts. It’s a fun system and I’m glad that there isn’t as much to really need to worry about while you’re exploring. The game is a constant rush to get better and improve your movement. It was a pure experience the entire way through. The entire game just radiates charm and despite it being a short game I feel like it will stick with me for a long time. 7) Ori and the Will of the Wisps (15+ hours, 96.46%) This game was an absolute gem to play… mostly. There were some minor bugs involving moving between areas if I went through too fast or falling through the ground once or twice, and I did need to redo about an hour of work because of a glitch once, but besides that the game played beautifully. Movement in this game felt so much more rewarding much earlier than the original because most of the tools are unlocked early. This lets you get more practice in earlier instead of having things feel like they didn’t get a lot of time. I also like how things like Dash were actually built into the level design because it wasn’t attached to the skill tree this time. With more tools to use and design levels around, it made the game feel a lot more interesting to play around with. Speaking of levels, the world is amazing. The levels are all much more expansive and the world itself feels more natural. With extra movement options, the ability to move from one part of the map to another feels significantly quicker as well. The music in the game is just as incredible as the original, so no complaints there as well. It also includes more content through things like side quests, races, and projects to clean up a base camp of sorts. The story is more involved this time instead of being relegated mostly to a handful of cutscenes, although once you get past the first dungeon of the game it isn’t all that present. The basic premise is that Ori gets stuck in a new area and has to help remove the dark influence. I don’t think Shriek is as compelling of a character as Kuro, but that’s mostly because I really enjoyed Kuro’s role in the story. Combat is the big change from the original compared to everything else. Combat in the Blind Forest was basically relegated to telling Sein to fire at enemies and was more of an afterthought that an actual use. This is reflected in the fact that there are no boss fights in the original, only escape sequences. While Will of the Wisps does still have a handful of escape sequences, there are also boss fights. You have access to multiple weapons if you choose to unlock them, but your main weapon will be a sword. You can find Spirit Shards to equip to power up various aspects or grant different abilities like triple jump. Overall, it was a very nice improvement over the original and I think that if you enjoyed the Blind Forest at all then it is definitely worth buying this game. 6) Animal Crossing: New Horizons (370+ hours, 92.10%) Here’s the game that I, like many others, always had one question in mind whenever I heard people talk about it. “What do you even do?”. I spent a majority of my time in the early days in a completionist mindset for the game which I think is why I was mostly burned out on it for a month or two once I had gotten the K.K. Slider concert for the first time. However, once I went into this game and started really working on the layout of my island I got legitimately interested. When things were no longer a checklist or a set of chores, it was just fun. While I look online at all the amazing islands that people have made and I can’t even dream of coming close to them, I’m proud of my little island. I decided to not do any terraforming (with a couple of small exceptions like cutting out a few squares for stairs or pushing a waterfall back by 1 so it was visible behind a bridge). By doing this it really feels like I’ve turned a barren island into a home. This game definitely isn’t for everyone though. The question of “What do you really do?” is a very real question, and something you need to figure out if you would enjoy essentially doing things with no reward except making a new home for yourself. You also need to accept that you can’t really play this in the same way as other games, as I learned when I was trying to just do everything. This game works best in short bursts or by having a preset goal in mind of what you want to accomplish in that play session. While Animal Crossing doesn’t really have a story, character development, or even that amazing of a soundtrack (which is still good and works extremely well for the game but is not extremely memorable) like most of my other favorite games as of late it is definitely a game I have found myself going back to continuously. The only thing I wish is that the villagers had more personality. I look at past games in the series and see the villagers I have on my island with distinct personalities that really make them into their own characters. With 8 personality types that give each villager the same set of lines, and 10 available houses for them, you’re going to end up with repeats and it really kills the immersion when you talk to 2 villagers in a row and hear the same thing. Besides that, I really enjoy the decoration aspect of things, especially some of the more natural areas of my island where I really got a forest-y feel out of it. I really enjoy watching things come together. When you wind up with a finished (or at least mostly finished) island and can walk through and look at all the progress you’ve made you really get a sense of accomplishment. 5) Pokemon Mystery Dungeon: Rescue Team DX (55+ hours, 85.58%) Pokemon Mystery Dungeon is my favorite spinoff franchise by a landslide. Taking the world of Pokemon and inserting it into a roguelike genre with a story and characters beyond anything across the mainline games combined. Unfortunately, based on critic scores and sales throughout the years, most Pokemon fans don’t share that sentiment. That being said, PMD is also much more difficult in comparison to the mainline games, especially in the postgame, which may be what pushes most people away. The main story of PMD involves you, a human, becoming a Pokemon and losing your memory. You form a rescue team with another Pokemon (you determine both your Pokemon and your partner in the beginning, with a personality test determining yours unless you want to choose it yourself) and aim to figure out what happened to make you transform while also helping Pokemon across the world. The story can get extremely dark for a Pokemon game and it is really good at keeping you wanting to see more. The postgame in PMD games is typically some of the best that I have come across. If you go through everything, the postgame can be just as long as the main story with much more challenging encounters. The gameplay revolves around taking missions and going into randomly-generated dungeons in order to rescue stranded Pokemon. Being a roguelike, you move tile by tile and your enemies only move when you do. It works well for the turn-based combat that Pokemon uses. I believe there is still a demo on the eshop that goes through the first couple of dungeons, so I definitely recommend trying the game out. I’m desperately hoping that we get to see more of the PMD franchise on Switch, with my personal hope being a new game and maybe even later on a remake of the Explorers games. 4) The Witcher 3: Wild Hunt Complete Edition (140+ hours, 86.76%) Witcher 3 definitely gets the “Most Improved” award in terms of my initial thoughts of a game compared to the end. Due to the praise that Witcher 3 always got, I decided to give it a shot. Right from the beginning, it was overall pretty mixed. Combat especially took me a little bit to get used to, with the initial fight against the Griffin taking a lot to pull off. However, once I left White Orchard and got to Velen (and by extension began to understand the combat more thoroughly) the doubt slowly started disappearing. One of the things that I, and of course many others, found best about playing Witcher were the side quests. Side quests are typically very standard. “Save my cat”. “Kill 5 of that monster”. The side quests in Witcher 3 are much more fleshed out and multiple times I found myself having to stop and think about my decisions in them. Without going too much into spoilers, one of my favorite decisions I had to make for a quest came with handling the aftermath of a slaughtered village, leaving behind a lone child, and how you handle those responsible. While some decisions might seem simple to make based on your own moral compass, I always strived to make the decisions I believed Geralt would make. It’s the first time that I can say a game really made me stop and make myself into the character. Putting the “role play” into RPG. While Witcher has its fair few “Kill that monster” quests (a specific type of quest, Contracts), these are more acceptable since even these have story built around them and usually involve some level of investigation and build-up. You’re not going to have to go hunt down 10 Nekkers and then come back to some generic villager conversation. While the side quests are an amazing part of the game, they don’t completely overshadow the main story. You’re hunting down Ciri, your adopted daughter, and so you have to go to various locations throughout the world to follow leads on where she has been recently. Each of these areas have their own stories that explode out in a hundred different directions and lead to tons of time to spend in each area. Between side quests and exploration, I didn’t complete the story until 105+ hours into the game. I probably could have finished it sooner, but the side quests and the world around was way too interesting to just skip over. However there is still the Hearts of Stone and Blood and Wine expansions to go through which add even more playtime. Both of these stories are really well done and deal with some amazing character moments and decisions. The characters are always an important part to get right in a story this large, and they are done excellently. Some of the standouts from my playthrough are Yennefer, the Baron, Gaunter O’Dimm, and Regis. They all play their roles in the story without feeling like just some key to get from point A to point B. While you’re in the mind of Geralt, you really start to get an understanding of them. Who they are, what they might do, what they like. Your conversations will always highlight which choice will continue you along the story, but skipping over the other dialogue options leaves you missing out on the world that has been crafted. Overall, the game definitely deserves the praise it gets. The beginning is slow, and the combat/movement can be a bit clunky and unintuitive, but the world on display is something I can’t ignore when it comes to being an amazing game. 3) AI: The Somnium Files (30+ hours, 100.00%) Where to even begin with this game? This is by far the strangest game I’ve ever played… but I love it for that. In this game you are a detective, Kaname Date, who is investigating a series of murders where the victim has their left eye removed. Date has an AI companion in his eyeball named Aiba, who by the way has probably made her way into my top 10 game characters of all time. The game is a visual novel for most of the gameplay. You will visit various sites and look around the room and examine the background looking for things as well as asking questions of people around you. In the case of background items these will not always be related to the case and a lot of the time it is just humor, but I still recommend checking everything just because it is a lot of fun to hear the character interactions. The humor in the game is pretty sexual for the earlier parts but that tends to get toned down further into the different routes. The other part of the gameplay is very different in structure. Date is not a normal detective, he is instead part of a secret division called ABIS which goes into dreams, called Somnium, in order to find out more about a case. When you are in a Somnium you can move around freely, however there is a 6-minute time limit. When you are moving this time limit will continue as normal, but it will slow down drastically when you do not move. You examine various items in order to progress through the puzzle and get to the end to figure out where you’re going. Sometimes these Somnium will have a branching path that will send you down a different route in the game. There are 5 different routes to complete, and you will want to complete them all otherwise the game is ridiculously short and you basically don’t even get any answers to what is going on. It is really easy to go back and complete other routes however. You have access to a flowchart that you can select various sections and go to an individual section of a day or just play through the area as a whole. So you are able to just select a Somnium with a branching path and go from there. These routes all have the same basic concepts but small changes and focuses on different characters will lead you to a different end and give you new details about the case overall. Every time you think you have come up with a conclusion about what is going on the game throws another wrench until just at the end where it starts giving you the final pieces of the puzzle and you just start throwing them together in your head and watch it unfold. The final ending of the game is one of the few games I can say has actually gotten tears out of me and it was an amazing experience all around. I definitely recommend looking into the game as it was a lot of fun to play through and the constant twists and turns of the story are an amazing experience. 2) Fire Emblem: Three Houses (245+ hours, 97.39%) Let me just say that when I finally got this game for Christmas last year, I didn’t put it down until I had finished it. I fell in love with the characters and teaching them to become ruthless killing machines. The different experiences and points of view that you could take on different paths was amazing, finding small details in one path that add connections to other paths. While my first and favorite path will always be the Black Eagle route, the other routes all add various details that you can’t get through just one story. To understand everything going on in the game, you need to play it all. No one path contains all the information in the game, and by playing through them all you gain a deeper understanding for character motivations and how the world is. The combat was simple enough for beginners to the strategy genre but also allows for more difficult experiences with things like Maddening (not my type of playstyle). The Divine Pulse mechanic, giving you the ability to rewind to a specific action in the battle in order to undo a mistake and/or death, is a crutch that I mostly relied on early in the game before eventually outgrowing it and learning how to handle the battlefield better with more strategy and better units in subsequent playthroughs. While I originally played on Casual Mode, I switched to Classic for my other playthroughs and found myself thrilled by the challenge that permadeath provided. By the end of my Classic playthroughs I had always managed to keep my characters safe, never losing a single one (Divine Pulse excluded). There’s something so much more thrilling about the battles when the game is less about who you can sacrifice and more about how to safely fight your way through. On top of the combat, I of course have to talk about the music. Another one of my favorite soundtracks (I feel like I’m saying that about just about every JRPG I play) and one I’m always happy to hear come on in my playlist. It's amazing to me that I was so worried about my interest in the game and that a franchise I had brushed off in the past would overtake Breath of the Wild in my favorite Switch games. While this game is fantastic and would have absolutely stolen the show if I had played it for last year… because I waited it unfortunately had to place after a game that I knew straight from the reveal would be in my top 2 Switch games, top 2 games period at that, of all time. 1) Xenoblade Chronicles Definitive Edition (280+ hours, 99.40%) This is going to be a long one, but it’s the #1 spot so I don’t really care. This first paragraph is going to be more rambly backstory than anything else, so if you don’t care about my life story feel free to skip ahead. Far and away my favorite game of the year, which is unfortunate because Three Houses would have also won in a landslide if I had played it last year when it released instead. I talked about it a little bit in my first yearly top 10 list with Xenoblade 2, but my history with Xenoblade is something I find interesting. I watched chuggaaconroy’s LP of Xenoblade as it was coming out back in 2014-2015. Despite enjoying the hell out of what I was seeing, eagerly waiting for 5pm to roll around for the next video directly from Episode 1 (something that despite enjoying chuggaaconroy before, during, and since his Xenoblade LP I was never and have never been as attached to one game), I never bought the game. At the time I was pretty much solely playing Zelda, Mario, Pokemon, Metroid, and Smash for games with the occasional random game in the mix. I had the game in my hands a couple times over the years but never followed through with it. Simple reasons like not wanting to pull out a Wii or just not wanting to pull the trigger on JRPGs. The release of Xenoblade 2 on Switch is one of the things that made me want my Switch (with the double punch of Metroid Prime 4 and Pokemon at E3 2017 being the nail in the coffin). I knew I wanted to broaden my horizons on game genres and franchises, so why not start with the sequel to a game I desperately wanted to play? Obviously, I fell in love with Xenoblade 2 and it kickstarted my love for JRPGs in general. Alongside the build-up to Xenoblade 2, I couldn’t stop wondering what it would be like to get an HD remake or remaster of the original. Fixing the only flaw that it had in the eyes of many people. Every single Direct throughout 2018 and 2019 I kept waiting for that magical announcement. I put “Xenoblade HD” on every single Direct Bingo card despite never actually expecting it. So of course when that September 2019 Direct rolled around, with plenty of evidence in the weeks before that something was happening from MonolithSoft, my hype was at an all-time high… and the reveal had me in tears. Xenoblade Chronicles is an amazing game, an amazing franchise, built around story, characters, combat, and large, open(ish?) worlds to explore. The original game on the Wii is exceptional in every category except for graphics, which the Definitive Edition has drastically improved. The characters are able to emote in ways that they could only attempt before and it gives a lot more depth to various cutscenes throughout the game. As far as the various categories, the game is just as amazing as I remembered it. The characters all fall into your typical stereotypes, but they are not defined by their stereotypes. They are all people and you are able to connect to them because of it. Characters like Reyn may fall into the childhood friend/brawn-before-brains stereotypes, but he also has plenty of moments where it is clear he is more than that. While some of the characters may not carry the same level of significance throughout the story or into the final chapters, they are all great characters. This is where the idea of European accents for Xenoblade 2 came from, as the original is full of them. If anyone played Xenoblade 2 and was put off by the dub, please give this dub a shot. Characters like Shulk bring chills with their delivery in scenes and I honestly believe that even if you absolutely hated every other voice actor in the game that Adam Howden’s work as Shulk still makes the dub the best way to experience it. The story is amazing with constant twists and turns and is something that I wish everyone would experience once in their lives. At roughly 50-70 hours long it is also plenty long enough with enough content to stretch you easily over the 100 hour mark if you choose to. The game has an action combat system based around various things depending on the character. Characters like Shulk combine an offensive and supportive role by positioning himself around enemies to gain additional effects on his Arts while also healing and defending the rest of the party. Reyn is your typical aggro-drawing tank character to let Shulk get in some big hits without drawing attention to himself. Others are based on summoning elementals to buff the party’s stats and dealing heavy damage. The party all have their unique playstyles that can lead to you finding your favorite out of them no matter how you like to play. Make sure to switch your party around and experiment with the other members, don’t just stick with the first 3. Another thing that MonolithSoft is amazing at; the world is beautiful. There are plenty of different environments including lush fields, dark caves, murky-turned-breathtaking swamps, and icy mountains. Moving around on the surface of the Bionis makes you really feel small. Of course the world isn’t the same if you don’t have the music to back it up, and Xenoblade’s soundtrack is nearly unrivaled (in my opinion). With a huge amount of tracks for various emotions and types of scenes, it’s a soundtrack that I have been listening to for about 5 or 6 years now. In the end, Xenoblade DE is still only my #2 favorite game on Switch. Still beaten out by Xenoblade 2. There are a couple of reasons for that. I believe the one reason that beats them all out is that Xenoblade 2 will always be the game that introduced me to an entire genre, to my favorite genre, and likely what convinced me that broadening my horizons for games was a good idea in general. However I do also prefer the characters of Xenoblade 2 and find them to boost the game up just enough. While I also prefer the story of XC1 to XC2, I do not believe XC2 to be a weak story like so many others believe. Xenoblade DE is a game that I can’t stop recommending to anyone who listens. My friends across Discord and real life know that I don’t shut up about it, to the point that I’ve been successful in luring multiple people in and getting them hooked. If you’re a fan of amazing stories, characters, soundtracks, and breathtaking views, do yourself a favor and buy this game. It’s an experience unlike any other. 15. Ori and the Will of the Wisps (15+ hours, 96.46%) 14. Octopath Traveler (200+ hours, 100.00%) 13. Animal Crossing: New Horizons (370+ hours, 92.10%) 12. Pokemon Mystery Dungeon: Rescue Team DX (55+ hours, 85.58%) 11. Super Smash Bros. Ultimate (125+ hours, 95.87%) 10. The Witcher 3: Wild Hunt - Complete Edition (140+ hours, 86.76%) 9. Ys VIII: Lacrimosa of Dana (45+ hours, 90.37%) 8. Digimon Story Cyber Sleuth: Complete Edition (135+ hours, 88.34%) 7. Xenoblade Chronicles 2: Torna – The Golden Country (55+ hours, 100.00%) 6. AI: The Somnium Files (30+ hours, 100.00%) 5. Tales of Vesperia: Definitive Edition (240+ hours, 98.85%) 4. The Legend of Zelda: Breath of the Wild (235+ hours, 93.43%) 3. Fire Emblem: Three Houses (245+ hours, 97.23%) 2. Xenoblade Chronicles Definitive Edition (280+ hours, 99.40%) 1. Xenoblade Chronicles 2 (935+ hours, 99.86%) So there is my list for this year! I’d love to know what games you all played this year and what your favorites were. I think it’s a lot of fun to find out what games people enjoyed even if they didn’t release this year since maybe I find a new game to play out of it!
[NAFA][Poly] All about NAFA for prospective students! (mainly SOAD stuff)
Hi there! NAFA grad from COVID batch here! I previously wrote tips to not waste time at NAFA. Currently studying in NUS. If you're looking for post O levels/ITE options, look no further! 4 years ago, I attended NAFA's open house after receiving my O level results and back then I was as clueless as the many DMs I've received asking about NAFA ;) . So I'm making this post to clear those doubts! Edit: Added academic calendar to general curriculum and important degree update
Content
Things to note before entering NAFA
What is NAFA and who is it for
Available Courses
When and how to apply
Application Timeline
Financial Aid
During your study
Useful Acronyms
Life at NAFA
Understanding NAFA's SOAD Standard
General curriculum
Electives
Using workshops/Loaning of equipment
Internship
Overseas Immersion/School Exchange Programme
CCA
Post-Diploma
Furthering studies at NAFA
Furthering studies at a local university
Finding Work
Things to note before entering NAFA
[1] What is NAFA and who is it for? NAFA, the Nanyang Academy of Fine Arts is Singapore's pioneering art school. It is a private arts institution. It provides diploma studies with a study duration of 3 years just like poly. The special thing about NAFA is that it provides 1-year degree programmes which any student (usually from relevant diploma courses) can pick up. Well, we always say 'art is subjective', it is a freedom of expression. The school is really open to anyone (and that is on the account that you have a portfolio or passed the test). Literally, you can have aunties and uncles as your classmates! You also have people doing art because it's fun but in all seriousness do not sign up if that's what you think. I'd like to think of NAFA as a school that guides you in the beginning and later on they just kind of let everyone be independent learners. Anybody can say that NAFA teaches you the foundation but they do not intend to fully teach you long term or up to a professional level. The school is excellent for people who have existing art skills (you've won SYF, art awards, distinction in art before you were even 17 years old) and wish to be a local artist. It is also great for people who are passionate and have some sort of basic skill or are/have developing skills already (that's me!) however this group should avoid Fine Arts. You can also be passionate and start on a blank slate but be prepared to work doubly hard for the grades. The school is not competitive, it depends on talent to stand out. Do not come if you are doing for the sake of the diploma because the difficulty of NAFA's diploma is no joking matter. Dropping out is common in every course and you do not wish to contribute to that. That is also the whole point of NAFA charging exorbitant school fees so that you don't run away. Many people actually bet their future on NAFA because they couldn't go to poly/uni course of their choice and it ends up being wasted because it's not what they wanted! You may have heard people of saying that the school's standard is trash but the truth is, it's not the school's problem 100% of the time. For students looking to enter NAFA Foundation Programme, it's still new and dodgy. I strongly advise you guys to take O levels and head to Poly instead if you still wish to pursue further education at local universities. I personally find no point in skipping a year and getting L1R4>25 with an O level cert where you might've passed math seems to be a more lucrative choice to use for entering NAFA. The only benefit you're getting from the programme is a debt $$$. Entry requirements: O Level: L1R4 equal or less than 25 points excluding English (can use CCA points) ITE: Full-time Higher Nitec or Nitec Other Local/International Admission Requirements Important note: NAFA diplomas do not equate with polytechnic diplomas. NAFA being the oldest art school does not mean that it is the best place to go instead of Laselle. [2] Available Courses One misconception is that NAFA has double diploma programmes for 3D Design. I'd like to announce that it is false. The school is not capable of teaching 2 types of diploma at a time but rather mash it up. So if you intend to take my course for example Diploma in Design (Landscape and Architecture), it is usually the 1st word that is mainly taught which is 'Landscape'. List of courses: School of Art and Design 3D Design
[3] When and how to apply? Once you received your results is usually the time applications are open. Local and international students have until March to apply. It varies annually. More here ->How to apply Method of Application: Online portfolio submission or physical admission test Neither is better than the other. You method depends on whether you can show what you have within a given deadline. Online Portfolio Submission Minimum 10 images, various mediums allowed and a short writeup of 100 words. 1.Make the portfolio for the course that you want To make them pick you directly for the course, make it look like you are built for the course. 2. Have a variety of work Fine Arts doesn't only consist of drawings, it can also include some sort of sculpture or performance work. Same goes for the other departments. Click here for what each course requires. If you wish to showcase a single type of work because you are unable to show more, it can make your portfolio look okay/bad compared to other people. 3. A passionate statement Only 100 words. Tbh I wrote what I wished to do after my diploma (plans have since changed and it was an odd statement lol). I don't suggest writing about your contribution to the sch because as long as you're a student you're contributing. Make it short and simple. In case anyone is wondering, my application portfolio was mediocre, showing 11 images consisting of sketches/paintings/photos. If you have a god-tier portfolio because you have that artistic talent, there's a good chance to achieve a 1st-year full-coverage scholarship once you step into NAFA. You can submit whenever you want but my estimated deadline was 2 weeks after applying at the open house which waived my application fees ($70 better treat yourself Haidilao). Admission Test (if someone has taken the test feel free to provide more info) The test dates are staggered once per month from January-March. Held in groups. Consists of a drawing test and write-up. I only know that the drawing test isn't difficult. People who took the test do not intend to submit a portfolio as it's quick and efficient. Nothing much to add on. Important note: If you are writing a 2nd choice as a safety net please be cautious. I do not recommend as you may get the 2nd choice instead if the slots for your 1st choice becomes full. They will just shift you to the 2nd choice and that's where the 'appeal' part comes. Choose to submit a portfolio if you can commit to the deadline, it usually gives you an upper hand over admission test applicants because you're showcasing more. [4] Application Timeline (I only know O levels if anyone can kindly tell me I'll update) O levels: January Receive results > submit JAE > apply for NAFA February Wait for JAE AND NAFA results > receive JAE results 1st > receive NAFA results 2nd You’ll receive NAFA results before poly starts unless you apply late. I applied during Jan on the day of the open house and got my results mid-end Feb. March is the last month to receive results. [5] Financial Aid NAFA Financial Aid Now, we all know private school isn't cheap and many passionate young souls I've met depend heavily on financial aid like I do. If you're a Singaporean with a tight family income, the bursary is attainable for you. It covers half of the annual school fee. Can only be taken once for each year of study. If you are able to claim the bursary for all your years, you’d pay a total of $7050. For those who are hoping to start at NAFA but is at a really tight end, you need perfect grades in art and portfolio to be considered a scholarship/merit in your first year. You'll need testimonials and pass the interview. If you ain’t good in art, pass this opportunity however you can work for scholarship/merit during your diploma years. I’d score close to the 4.0 (3.8X) in Year 1 in order to get a scholarship to cover my Year 2 fees. Other options are the 0% interest study loan by DBS. You can make use of your PSEA which you can also use your sibling account to cover your own sch fees. Last option but not really one is the student assistantship scheme should you already be a student of NAFA. The pay is peanuts, I would not recommend but it's nice to have a one-liner in your resume that you did some work for the school :). There are NAFA students with a possibly far worse situation than yours but they are extremely talented and hardworking to end up not paying a single cent. NAFA is really expensive so if you do intend to work to cover the fees, take care of your grades as well. It is not impossible to do so. I chose to not work as I was in a hectic design course and needed to maintain my grade for university. Next, you would need to understand how the system works.
During your study
[1] Useful Acronyms SOAD: School of Art and Design (Department) SOAMDT: School of Arts Management, Dance and Theatre SOM: School of Music D&M: Design and Media FA: Fine Arts 3DD: 3D Design FS: Fashion Studies FYP: Final Year Project (used in almost every SOAD course lol) OIP: Overseas Immersion Programme [2] Life at NAFA So you wish to know how life is like at NAFA? First thing, don't expect the same amount of glitz and glamour that exists in polys. It's much quieter where you won't even hear a mouse die. Because entry to the school is quite easy, the population regularly consists of graduated ITE students (can’t make it to poly/NAFA is the last golden ticket) alongside many international students. O level cert holders are like a small 10% or less. So if you’re young, prepare to take care of the older lot and expect to carry lazy people. You have to be very committed to the course and can’t skip class. More than 3 times and they start deducting marks. The workload is heavy and even if it comes in small numbers, it is intense. The number of student to lecturer ratio is not a big difference but later on, consultation times may not suffice. Facilities are sufficient unless you’re in a design course. There are CCAs in the sch but not all courses got time for it. Staying in school late is a common culture. Fine Arts students after class just camp in their respective studios and design students would camp till closing 11 pm at the computer lab waiting for renders to finish. Every student will experience staying late and you can say its #lifeatnafa. The culture here is not as toxic and dramatic as poly but more towards weird because we’re creative artsy-fartsy people. It’s easy to get along with course mates but there’s a chance for things to get somehow cranky along the way. Could be you or your classmate. Everyone is pretty open and wild. There’s a lack of competitiveness which is both good and bad. There won't be a course that goes without presentations. That's the point of producing works ain't it, to show it off to the audience. Group work to individual work ratio is about 3:6 so if you worry about bad groupmates, don't worry I've faced them too and it can't be helped ;). Carrying other people during group work is also common. NAFA does stand for lazy people what to do. Your complaints hold no power. (Arguably, many students want the school to make entry to the courses more difficult as there seem to be too many bums to handle) If you're mentally depressed or anything the school does try to help but no legit support system other than the ECG counsellor (which I find it practically useless). Now, the school deals with this quite often so they don't give a damn about your life. Ownself take care ownself is the usual term. School events anyone can participate: Open House (1-day Sentosa fun time with other Open House ambassador) Orientation (has a 1-night camp! Recommend) NAFA Fun Day Overseas Immersion Programme (1-3 weeks long, Asian countries. Recommend but need $) Student Assistantship Programme (1 year-long contract. Peanut pay) The list of programmes here may not seem much but you can add it in your portfolio (except Fun Day). There may be volunteer work available within some courses itself. Do try to be active And that's about it. Nothing special just expensive and less fun. [3] Understanding NAFA's SOAD Standard Take a look at what past graduates have produced within their 3 years as a student. Only you can judge whether the school is great or the right fit for your goals (in being able to attain this particular level of skill for XXX course once you graduate for example). The best standard can be found under the best graduate tab. 2020 The Grad Expectations Graduation Showcase [4] General Curriculum Academic Calendar The 1st semester of your study begins at the start of August and usually ends late November or early December depending on the type of assessment received. The 2nd semester begins in January till May. The span of 1 semester is always around 4 months with a 1-week break in between. We don't really have any sort of term 1/2 thing like poly and is much compressed, so breaks are less. However, you do get compensated with a 3-month vacation between years so that's fair. *Applicable to SOAD only Year 1 1st Semester: Foundation Study (not the same as NAFA Foundation programme for N level) + Basic art and design theory +General Education 2nd Semester: Course Foundation + General Education + Basic course theory (+ Electives) Year 2 1st Semester: 2nd Set of Course Foundation + Intermediate theory + 1st project + Basic report/essay writing (+ Electives) 2nd Semester: Last set of Course Foundation + Another set of projects (+ Electives) Year 3 1st Semester: Internship/School project (wouldn't want to get this) 2nd Semester: Final Year project (practically on your own) + Report/Essay writing + Research and development (+ Electives, not recommended to do during this semester) It’s clearly not much different from poly, slightly worse at certain points. Weeklyschool hours per week will increase each semester e.g year 1 sem 1 is 18hrs a week for classes, next semester you may get an additional 2-4 hrs increase of class time. The longest time I had for class each week was 24hrs, pretty sure the same goes for any SOAD course. Do expect late-night classes. It is inevitable because most lecturers are teaching part-time so do bear with them. Important note: For a lighter schedule, do electives early as that's one of the simplest things to do. The difference in timetable won't affect application to university. [5] Electives 1 common mistake students commit is not reading the student handbook (from studentnet)/contract on the number of credits required for graduation. They end up finishing their electives during Year 3 Semester 2 which is the time one should focus on their FYP. Start doing your electives once you’re in Year 1 Semester 2. Good planning consists of not stuffing your modules until it’s way past 24hrs/week (also known as overloading). You’re required to do cross-disciplinary modules 2-6 credits worth (meaning not related to your course, if you’re from D&M you have to do either FA/3DD/FS) and course-related electives worth 2-6 credits. Days before module registration, plan out the electives you want to do based on your given timetable and then rush to pick on the day of the module registration with no hesitation to secure your placement. You may have to do an elective that is unfamiliar to you. My sample plan: Year 1 sem 1: Can’t choose yet Year 1 sem 2: Photography (Highly recommend, popular as well but must have time and skill + a friend who's free who be your model). 2 credits Year 1 sem 2 special term (aka holiday): OIP to Hangzhou. China Academy of Arts for 3 weeks. Considered cross-disciplinary to FA. 3 weeks long. 4 credits Year 2 sem 1: Intro to Rapid prototyping from 3DD (laser cut/3D print) (didn’t really learn how to use the machine as there are technical officers and I messed up at the end but still passed, great elective for embarrassing yourself if you’re a 3DD student who frequents the workshop ;) ). 2 credits Year 2 sem 2 - onwards: No more electives can focus on FYP Important note: Plan well so you accumulate just nice 120 credits for graduation. No point in exceeding the total credits as you have to pay extra for it. If you miss a few credits for graduation, you will be retained for another semester to finish. Cheat tip: if you go on the OIP to China only, you instantly get cross-disciplinary credits. [6] Using Workshops/Loaning of equipment
The 3D workshop at wing B level 1 operates Mon-Fri 8 am to 6 pm but you need permission from the lecturer or Technical officer to use the machinery.
Laser cutting and 3D printing in the 3D workshop operates from Mon-Fri 10:30-4:30 pm and it is based on a first sign up first serve basis. Booking is always done a week prior to the day of actual usage and maximum of 4 people per day (unless you let others share your slot). Every Friday the slate inside the workshop outside the room is wiped clean for students to book for the week ahead. Even if your name is on the booking board and you don't end up cutting, you will get a temporal ban after multiple attempts. Do ask the Technical officer about the laser cutting template as well and follow accordingly when you create the template so as to not cause a problem of cleaning up your drawing which may overtake another timeslot.
Camera equipment for photography/filming can be loaned from a guy named 'Jack'. Priority goes to courses that require it, followed by the photography elective and so on. Loan lasts for a week and extension can be asked for after loan period.
Photography Studio/Darkroom use needs to have a form signed, given to 'Jack' and then approved. Literally, find this guy for all your photography needs.
Fine Art workshop time depends on the course instructor. People from other courses are free to walk in when its empty but usage not possible.
[7] Internships Usually done in Year 3 Semester 1, this is one of the key semesters every student should complete for it plays a very important role in your portfolio for finding a job post-graduation. The school has a reputable network, however for courses like Fine Art and illustration the intern positions may be limited because Singapore is not very welcoming for such talents. There are top companies who are willing to hire NAFA students on the basis that they have good grades and a juicy portfolio. So if you want the best, you got to be the best. [8] Overseas Immersion/School Exchange Programmes Slots for OIP is limited (especially the ones to China), requires an interview. I think the max for some trips were 35-40 people at most. There are subsidies available and coverage varies. Places NAFA has flown to: *Xiamen (3 weeks) *Hangzhou, China Academy of Arts (3 weeks) *Beijing, Beijing Technology University (3 weeks) Bangkok (1 week?) Korea (might've stopped) Japan (might've stopped) *Special programme during Year 1 Semester 2 vacation only I forgot the cost but I've personally have flown to Hangzhou. Best experience ever despite getting a C. Crazy stuff happened at one of the finest Arts school in China :) Important note: If you miss the chance to fly, fret not, NAFA's degree programme is a collaboration with a foreign university and they will open an exchange programme for 1 month (that is if COVID doesn't persist). Not sure about the cost though. [9] CCA (The price list is not updated as of 2020) List of currently available CCAs:
Short story: Long ago, I actually joined the photography club only to end up leaving before they even started anything because everybody was too busy to meet up and thus disbanded. During my time, Muay Thai is the most popular followed by Yoga. Do check out NAFA OSC account on IG to find out what they do. Looks like they added Korean language class too hmm
Post-Diploma
[1] Furthering Studies at NAFA NAFA Degree courses for Arts Management and Music Update (thanks to the comment below): NAFA is going to change its programmes and collaboration starting from AY2021/2022. The new degree courses are collaborating with UAL (University of Arts, London) and it’s changing from one year course to two-year course which includes 5-7 weeks of going to the colleges in London. All the courses are affected except for Arts Management and Music. Students with A Level certificates, as well as those without relevant diplomas will be allowed to enrol into NAFA’s degree programmes. The stuff I wrote may not apply anymore but I will still leave it here as a reference for NAFA's 1-year degree. The degree website is empty for now. How do you determine if taking NAFA degree is worth it and why should you take or not take the NAFA degree? There’s always a mixed bag of opinions over the degree. Personally, I’m not a fan of it but I won’t be biased and input the pros and cons that can better aid in one’s decision. PROS 1.Existing CGPA from diploma is Low Finding a job with the private diploma cert and low grades can affect your career progression. Make up for the mistakes that were done during the diploma study and try to do well for the degree. 2. High CGPA, expecting a scholarship (or free ride) for the degree course If you easily meet these 3 criteria (1) Singapore's local unis are too expensive for your taste, (2) you might be older than 21 years old and need to work ASAP, (3) "broke" but did quite well during your diploma and has an excellent portfolio to show, taking the degree might not be such a bad option. In some instances, the 1-year degree + years of work experience can allow one to take up a master degree at local uni if the pre-requisites are met. 3. Changing career path (still art-related) It's possible to change paths from design to fine arts. However, for a degree that lasts only for 1 year, it is impossible to acquire a decent knowledge at a degree level compared to the diploma stage in my opinion. Usually, the people who apply for the design degree e.g Spatial Design, have prior knowledge from the related course of study either from NAFA or other polys. 1 year is not enough but never said that it’s impossible and has been done over the years. 4. Increase in starting salary Nobody says this when asked why they want to take the degree but I'm sure they want an increase in starting salary. If you have a fear of starting out with low pay and want to bump it up by sacrificing a short amount of time and money, go for it. CONS 1.Not a legit degree This isn’t a biased answer but an honest one. NAFA's degree is not a professional degree. 1-year won't be enough to acquire a lot of knowledge. There are no internships and full training of Softwares/techniques whatsoever. It's basically aimed at NAFA/poly students who have an existing skillset and internship experience during their diploma studies or international students with similar qualifications. I'm not discouraging anyone who wishes to take the degree because some companies do take in students and if they're lucky, they can work for them after graduation. 2. Not 100% applicable for postgraduate studies in Singapore The local universities may not kindly cater to all NAFA degrees. A number of students after getting a NAFA degree would choose to study overseas to pursue a masters. If getting NAFA's degree is a mean of broadening your studying experience by going overseas, why not? One real-life example that I've heard of works is landscape and architecture diploma + Spatial Design degree + 3 years of work experience at a good company + an excellent portfolio which eventually led this person to enter NUS Masters in Landscape Architecture. Spatial Design has a chance for relevant postgraduate courses although this may not be the same for the other NAFA degrees. 3. Not worth if you are a Singaporean The cost of NAFA's degree is considered affordable for an international student and it was practically built for them. If a Singaporean were to study at local uni for 3/4 years including subsidies + tuition grant for a design degree, it'd still be cheaper than a NAFA degree. Plus an actual degree from the public unis is still considered much valuable. If you stand for better higher educational standards after staying there for 3 years, I say work hard and flee. [2] Furthering studies at a local university It’s not impossible. It was already allowed a million years ago. It just a matter of effort you put during your diploma years. The current standard at NAFA has dwindled where only less than 10 NAFA grads emerge victoriously so don't be surprised knowing that NAFA barely has high flyers, the school doesn't even push for it. Even my juniors don't know my degree existed 1 year ago... 2 things to note:
NAFA diploma is not allowed entry into many courses that are irrelevant from the diploma unless the GPA is high. The usual entry requirements are GPA 3.5-4.0 also dependent on the 10th percentile, juicy portfolio and testimonial (I didn't need it FYI)
Chances are higher for relevant degrees although any degree will definitely have entry requirements to meet. Some degrees require O level pass in elementary/additional math (they say they don't check anymore after 2019 but I don't want to play out my chances). I know of students who were optimistic about their GPA but they did not read the instructions beforehand.
You will be fighting with the best from poly, JC and beyond. Do your best to represent yourself as a student from NAFA and you'll find a way to stand out from the crowd. A warning note to future/existing international NAFA students: I know most of y’all only started living in Singapore just before the beginning of the diploma. I don’t know whether your international qualifications can equate with O levels so consider your future plans in Singapore carefully. My dear international classmates weren’t called up for uni interview (GPA already wasn’t helping, no offence) and the super stringent admission criteria crippled their hopes. Many have remained in NAFA to do the 1-year degree or have returned to their home country. I cannot answer for employment rates. If neither one is the option you want to end up with, do take note. [3] Finding Work COVID really struck a lot of people hard. I can count the number of my coursemate who is employed with my 10 fingers or less. The full-time employment rate is terrible, believe it or not. The school hides it like the fine print in the student contract. Here in the Graduate Employment Survey, you can see the ending choices of NAFA graduates. I really can't tell the success rate of one finding a job even based on IG stories itself. I see quite a number of freelancer or people doing other things. Who will remain in the same industry? The top 10% in the cohort but even the best have struggled or are still struggling to find a job. NAFA students are not only fighting among themselves, there are poly students with similarly named courses out there too with a proper educational lineup that a NAFA diploma can't compare with. A portfolio is usually the passport for finding work and the past 3 years of study is meant to fill it up. Don't waste time being a stubborn student especially when you will be spending a lot of money to study. The best way to make yourself look hire-able is to definitely have good grades and a portfolio. Can't emphasise anything else other than that to convince the company to hire you.
Wrapping it up
NAFA is one of the schools that provides a unique and alternative route away from the usual poly lifestyle. I had some crazy times in there be it social life or workload. It isn't a bad school (I quote 5/10) but if you can work for what you love, you'll do just fine. The Open House is open and I suggest for those interested to take a look. A whole bunch of admission guides are up for talks. NAFA Virtual Open House If you guys have any questions, comment down below so others can read or if you're shy, drop me a DM but I may be busy to reply. Thanks for dropping by!
I live in a small mining town in the mountains of Colorado. Someone is building a massive casino nearby, Pictures Included
I grew up in a small mountain town named Eureka. It was founded in the late 1800s during the gold rush, but after the mines dried up the town began its slow descent into decay. Half the houses are empty or abandoned now. You can see a picture of the kind of houses here in Eureka: First house Second house When a massive construction project began nearby, it was the talk of the town for weeks. Why would they build something in a sleepy dying town like Eureka? It wasn’t until my sister Selene talked to a few construction workers that we discovered they were building a casino. A casino up in the mountains, over two hours away from Denver. None of us could understand why they’d chosen here of all places. After a few months of work, the casino was done. I took a picture of the town with the completed casino in the background to the right. The ten-story-structure sticks out like a sore thumb off in the distance. Town+Casino After the casino opened, they hired a few dozen members of the town, offering high paying jobs to work as dealers or cleaning staff. I was already employed as a firefighter, but my sister Selene got a job as a blackjack dealer. She’s a widow with two young kids, so the paycheck was a real lifesaver. Still, something about the situation seemed too good to be true. The jobs over there paid far too well, and the management was far too accommodating. The fire station where I work is located high on a hill overlooking the town, so I began watching the casino from a distance each day. I had initially thought that the casino was located in a terrible location, but I was apparently wrong. True, Eureka was hours from any major city, but despite that, a bus full of people arrived every morning and left every evening. One night I was over at my parent’s house and had dinner with Selene and her kids. I asked her about her experience as a dealer. “It’s Ok,” she said. “Just a little boring I guess.” “Boring?” I asked. “I’m surprised you don’t have your hands full.” “Why’s that?” she asked. “It’s like you said, Eureka’s too small. I never have people playing cards. The casino is almost always completely empty.” I wasn’t sure what to make of that. If the place was always empty, what happened to the people who I’d seen arriving on buses? “I’ve been keeping an eye on the building,” I said. “A bus full of people typically arrives around 9 AM every day.” “Really?” she asked, looking confused. “If that’s true, I’ve never seen them. “I can see it from the fire station,” I said. “If you head out for a smoke break at 9 AM, you’ll probably see them arriving.” “Interesting,” she said. “I’ll do that. If they’re being processed for their organs or something, I’ll let you know.” She laughed. “Har har,” I said sarcastically. The next night she sent me a text calling me over. When I arrived, she was nearly breathless with excitement. “Orin, You were right,” she said. “A big group of people did arrive, but they didn’t walk into my part of the casino. Instead, they all walked into an elevator at the back of the building. I’m not sure where that goes.” She looked thoughtful. “It was weird. They looked… How can I say it? Desperate? Something about the whole situation was very off. I’m gonna check out the elevator tomorrow.” I told her to be careful, though, to be honest, I was excited to hear about what she discovered. When I visited my parent’s house the next night, I found her two kids there alone. They told me that Selene had never returned from work. I called all her friends, then all our neighbors, but no one had seen her since she left for work that morning. Our conversations regarding the casino flooded my mind, then a plan began to form. Early the next morning I walked across town in my nicest pair of jeans and a button-up shirt. I pushed through the door to the casino and saw that Selene wasn’t lying. The place was all but deserted. Three dozen slot machines crowded the walls surrounding a few tables interspersed throughout the floor of the casino. The only players in the whole building were Bob and Donald, two locals. I walked up to a nearby table where Bridget, a girl I’d gone to high school with, was shuffling cards. She broke into a grin when she saw me. “Hey Orin, you here for a few rounds of blackjack?” “I wish,” I said. “No, I’m here to ask about Selene. She never made it home last night.” Bridget’s expression darkened. “Really? Have you asked around?” “I already called around. Have you seen her?” She shook her head. “No, our schedules rarely line up. I’ll be sure to let you know if I--” Her eyes focused on something behind me, and she cut herself off. I turned around to see the casino’s pit boss watching us both. He was a tall thin man in an impeccably clean black suit. When I turned back towards Bridget, she was looking down at the table and shuffling cards absent-mindedly. “Well, if you hear anything, let me know,” I said. She nodded, so I turned around and headed for the pit boss. I stuck out my hand. The temperature of his hand was so hot that I had to pull my hand away after a few seconds. “Have… have you seen my sister Selene?” I asked. “She hasn’t been seen since her shift here yesterday.” He smiled. “Sir, this floor is for players. You’re more than welcome to head to the tellers for chips, but barring that I’m afraid I’ll have to ask you to leave.” I stared at him for a long second before stalking towards the door. When I looked back, he was talking with Bridget. I checked my watch. 8:55 AM, just as I’d planned. I walked around the back of the building and waited as the morning bus pulled around the building. I waited for the telltale hiss of the opening doors and the sound of people descending before I rounded the corner and joined the crowd. None of them paid any particular attention to me as I walked with them into the casino. The crowd walked through a side door down a hallway to an elevator. Small groups of people entered the elevator as the rest of us waited for our turn. I shot a glance at the casino patrons, surprised at their diversity. There seemed to be people from all different countries and ethnicities. I heard one speaking Japanese and another speaking what sounded like an African language. My turn came along with a few other patrons in the elevator. A sickly woman hobbled into the elevator beside me carrying an IV that was still connected to one of her veins. We piled in and rode up to the top. The elevator rose for a few long seconds. I wasn’t sure what I would find, but I steeled myself for something horrible. The elevator’s speaker let out a TING, then the doors opened. We all walked out onto what looked like a standard casino. Another few dozen slot machines ringed the walls, but on this floor, they were almost all occupied by customers. I took in the scene, confused at why they’d have a ground floor that was almost completely empty when this place was almost-- Selene was dealing cards at a nearby table. I jogged over and sat down at an open seat. None of the players around me paid me much attention. “Selene!” I said. “Are you OK? Did you spend the night here last night?” Her eyes were glassy and confused. She looked up at me with a dumb expression and didn’t respond to my question. “Selene?” I asked. “What’s your bet?” she asked me. “This table is for blackjack players only.” “I…” I trailed off, looking at the players around me. None of them were betting with chips of any kind. “What’s the minimum bet?” I asked. “Three years,” she responded. “Three years then,” I said, not knowing what that referred to. Selene nodded, then began dealing cards. I shot a look down at my hand. King and a 9. Selene dealt out cards for herself, showing a 9. I stood, then leaned forward again. “Should I call the police? Are you--” “Congratulations,” she said tonelessly. An almost impossibly warm hand grabbed my shoulder. I spun to see the pit boss I’d spoken to earlier. He gave an impressed smile. “Orin, was it? I’m impressed, truly. Would you mind if I had a word with you?” I shot a look back at Selene who was dealing the next round of cards. Then I got to my feet, balling my hands into fists. “What did you do to her?” The pit boss clasped his hands behind his back. “Nothing more, and nothing less than what I’m going to do to you. That is, offer you the chance to play.” “What the hell is that supposed to mean?” The pit boss nodded his head towards a nearby slot machine. A woman in a wheelchair pulled a lever and watched the flashing numbers spin. They exploded in a cacophony of sirens and flashing lights. “WINNER WINNER WINNER!” The machine screeched. The woman in the wheelchair put her feet on the ground and stood up on a pair of wobbly legs that had clearly never been used before. “As in any other casino,” the pit boss said, “you must wager for the chance to win.” “She... won the use of her legs?” I asked, feeling light-headed. “Wait,” I said. “I played blackjack just now. ‘Three years,’ Selene told me. What does ‘three years’ mean?” I asked. “Three years of life, of course. Did you win?” My mouth felt dry. “I-- Yes, I won.” He smiled warmly. “Congratulations. I hope you enjoy them. I can tell you from personal experience that watching the decades pass is a bore. Give it some time and you’ll be back to spend them.” I watched the pit boss’s face. He couldn’t have been more than a few years older than me, and I was in my early thirties. I looked around at the casino. No one was playing with chips of any kind. “So what?” I asked. “I won years of life. That woman won the use of her legs. What else can a person win here?” “Oh, almost anything. They can win almost anything you can imagine.” A cold feeling settled in my stomach. “And what do they wager?” His eyes flashed with greed. “Almost anything. They can wager almost anything you can possibly imagine. Anything equal in value to the item they want in return.” He nodded towards a nearby roulette table. A man stood by the table, cradling his hands. “Another finger,” he called out. He only had three fingers remaining on his left hand. As I watched, the ball came to a stop, and another finger disappeared from his left hand. The pit boss extended his hands. “Feel free to try any of our games. Bet and win whatever you’d like.” He reached out and snatched my hand. A feeling of intense warmth passed up my arm to my chest. “There,” he said. “I’ve even given you some house money to get you started. An extra decade of life, on me.” I ripped my hand away, staring at him in horror. Then I looked back at Selene. Something clicked in my mind. “You offered her the chance to play. What did she want?” I asked. “Her husband,” the pit boss said. “Quite the sad story. He died two years ago. She wanted him brought back to her.” “What did she wager?” I asked. “She wanted the chance to win a soul, the most valuable object in existence. I’m sure you can imagine what she needed to wager for the chance to win it. What she wagered is unimportant. The important question is: What do you want, Orin?” I stared at Selene with a flat expression. “I’m sure you can imagine.” His eyes flashed with greed again. “How wonderful. The casino could always make use of another dealer. Feel free to make your wager at any one of our games; I’ll be eagerly awaiting the results of your night. Oh, and do take advantage of our waitresses. We always supply food and drink for ‘high rollers’.” He walked away. I spent the next few hours trying to decide which game to play. I was going to be wagering my soul, so I wanted the highest chance possible. Slots and roulette were out. I’d done some reading online about counting cards, so I figured that blackjack gave me the best odds. I walked up to Selene’s table and sat down. “Bet?” she asked with that same toneless voice. “Three years,” I said. I spent the next hour or so doing my best to remember how to count cards. I knew that low cards added one to my count and high cards decreased it by one, but the casino used three decks. I had read something about how that was supposed to change my calculation, but I couldn’t quite remember how. Every time I won a hand, I cursed myself for not putting everything on the line. Every time I lost, I breathed a prayer of thanks that I’d waited. And all the while, I kept track of the count. I had lost fifteen years of life when the count finally reached +5. “Bet?” Selene asked. “I wager my soul so you can be free,” I said. The table around me fell silent. Selene’s eyes flickered, but she showed no other emotion as she dealt the cards. I watched my first card, punching the air in excitement when I saw a Jack. My excitement turned to ash when my second card was a four. Fourteen. I looked at her hand. One card was facedown, but the faceup card was a King. I swore loudly, staring down at my hands. “Hit?” she asked. The entire table was silently watching me. “Hit,” I said, not looking down. The table erupted in cheers. I looked down to see a 7 atop my two other cards. 21. Blackjack. I looked at Selene who flipped over her facedown card to reveal a 9. 19. I won. The glassy look left her eyes immediately. She looked around in surprise, then her eyes locked on mine. “Orin?” she asked, then almost immediately began to cry. The entire casino broke out in cheers. I grabbed her hand and headed for the elevator. The doors had begun to close when the pit boss reached out with a hand to stop them. “Congratulations,” he said, beaming. He seemed to be honestly excited. “Shouldn’t you be upset?” I asked. “Not at all. Casinos love it when we have big winners. It inspires the other players to make larger bets. I imagine I’ll gain two or three dealers before the night is through from your performance.” “Great,” I said flatly. “Now let us go.” “Not yet,” he said. “You didn’t just win, Orin. You got a blackjack. And blackjack pays out 1.5 times your bet. You won your sister’s soul and more.” I stared, not sure what to say. “What are you saying? I won half a soul extra?” The pit boss grinned wildly. “Just remember what I said. You’ll find living for decades and decades to be a boring experience. After a few centuries, you’ll be back to gamble that half a soul away. Congratulations!” He removed his hand, and the elevator doors slammed shut. I helped Selene back to her house. Her children were relieved. I watched them cry, then moved into the kitchen to start making dinner. It’s been a few days since that experience. The casino is still out there, and buses full of people still arrive. I… I cut my hand pretty bad a few days later. When I checked it an hour later, it had already healed, no scar or anything. I’m not sure exactly what I won at that casino, but there’s no way I’m ever going back. X
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